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BEGIN:VEVENT
DTSTART;VALUE=DATE:20180217
DTEND;VALUE=DATE:20180318
DTSTAMP:20261004T054324
CREATED:20200426T205423Z
LAST-MODIFIED:20200427T093222Z
UID:4871-1518825600-1521331199@areacreativa42.com
SUMMARY:Giacomo Modolo
DESCRIPTION:The artist Giacomo Modolo was in residence between February and March 2018. \nIt is the second time that Giacomo Modolo collaborates with Areacreativa42 for an artist residency project. This time the project was enriched by the co-presence of Elvis Spadoni\, Silvia Argiolas and Stefania Falsone. The artists discussed the issues of collaboration in the art system and the role of the artist. Giacomo Modolo started working on the cycle of “Sulle orme del lupo” which “represents a personal moment of great intimacy and pictorial research. The wolf\, present several times in my latest works\, hovers in space as a presence\, alone and in search of his lost pack. In my imagination it becomes a symbol\, becoming the emblem of a human side that I have always considered in my artistic research. Solitude and insecurity that mix with pride and ferocity\, leaving room for the beauty that hides meanness. Contradictions that populate my painting usually with cynical and dramatic human figures who\, in the footsteps of the wolf\, find their aesthetic and metaphorical manifesto.\nIn continuous contradiction also the pictorial language formed by brush strokes in constant dialogue between form and abstraction\, gesture and geometry\, as well as the continuous overlapping of brush strokes that give birth to the precarious balances on which the image and the composition stand. ” From this cycle\, a latest work was selected in the 2019 edition of the Combat Prize\, in the painting section. \n 
URL:https://areacreativa42.com/en/event/giacomo-modolo/
LOCATION:Torino
CATEGORIES:Residenze d’artista
ATTACH;FMTTYPE=image/jpeg:https://areacreativa42.com/wp-content/uploads/2020/04/DSCF0486-scaled.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20180210
DTEND;VALUE=DATE:20180311
DTSTAMP:20261004T054324
CREATED:20180227T160633Z
LAST-MODIFIED:20200427T083930Z
UID:4771-1518220800-1520726399@areacreativa42.com
SUMMARY:Elvis Spadoni
DESCRIPTION:Elvis Spadoni was born in Urbino in 1979. He lives and works in Santarcangelo di Romagna. \nThe artist Elvis Spadoni was in residence at Casa Toesca in Rivarolo (Turin)\, from the 10th of February to 11th of March 2018: during this period\, the visitors were invited several times to visit the atelier and participate in the workshops. \nDuring the resindence\, the artist and the members of Areacreativa42 organised the exhibition “The Space of the Sacred” in collaboration with the City of Cuorgnè. For the occasion Elvis Spadoni created a work in the former church and the public was able to follow its progress until the end. \nThe exhibition\, curated by Areacreativa42 in close dialogue with the artist\, was accompanied by workshops for the students from local schools\, focused on the practice of drawing the human figure\, a very important part of the artist’s research. \nThe works showed were part of a cycle dedicated to biblical and mythological subjects; there was a contrast between the realism that characterises the figures and the minimalism of the space inside the canvas\, permeated with an intense light. Within this artistic path\, the sacred icon coexists and dialogues with the socio-anthropological concept of myth as an act of foundation of society\, culture and the rational order of worldly things.In myth\, as well as in biblical narration\, norms and social precepts find their own origin\, covering themselves with another value. The mythical narrative is therefore a transposition\, mediated by the presence of the sacred\, of social\, ethical and moral instances proper to human nature. \n\n\n\n\n\nIn this sense\, Elvis Spadoni’s painting is mythical\, and Man is the absolute protagonist; through it the artist reflects on the human condition.\nHowever\, the protagonist of the work is the empty space\, which prevails on the canvas: it represents a silent place to which we are admitted\, an opportunity of dialogue between the observer and the work.\n\n\n\n\n\n\n\n\n\n 
URL:https://areacreativa42.com/en/event/elvis-spadoni/
LOCATION:Areacreativa42\, via Ivrea 42\, Rivarolo Canavese\, 10086\, Italia
CATEGORIES:Residenze d’artista
ATTACH;FMTTYPE=image/jpeg:https://areacreativa42.com/wp-content/uploads/2018/02/DSCF0281.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20171111
DTEND;VALUE=DATE:20171209
DTSTAMP:20261004T054324
CREATED:20180227T162704Z
LAST-MODIFIED:20200427T085914Z
UID:4793-1510358400-1512777599@areacreativa42.com
SUMMARY:Alessandro La Motta
DESCRIPTION:During his artist’s residence\, Alessandro La Motta created an exhibition of his works on the ground floor of the Villa Vallero involving the schools of Rivarolo territory in his project. La Motta has been looking for years for Mediterranean identity through the myths and beauty of the classical world. Around 30 works of painting and sculpture have been exhibited: they were of varying sizes\, inspired by the ancient world and classical art\, with a particular attention to the archeology of the Mediterranean basin.\n 
URL:https://areacreativa42.com/en/event/alessandro-la-motta/
LOCATION:Areacreativa42\, via Ivrea 42\, Rivarolo Canavese\, 10086\, Italia
CATEGORIES:Residenze d’artista
ATTACH;FMTTYPE=image/jpeg:https://areacreativa42.com/wp-content/uploads/2018/07/la-memoria-della-città-perduta.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20171013
DTEND;VALUE=DATE:20171121
DTSTAMP:20261004T054324
CREATED:20180301T084511Z
LAST-MODIFIED:20200427T092847Z
UID:4858-1507852800-1511222399@areacreativa42.com
SUMMARY:Elias Santis
DESCRIPTION:Elias Santis is a contemporary Argentine painter\, in residence at Casa Toesca from 13 October to 20 November 2017. \nPlease find below some abstract from the interview with the young curator Giulia Cordò. \nG: “Let’s talk about your current situation\, have you agreed to participate in this artist’s residence in a country far away and different from your home\, do you think that the foreign neighborhood does fit you?”\nE: “[…] What happened here\, apart from being so far away\, gave me time and time to be very much with myself\, because here there’s nothing\nthat distracts you\, I was able to see it in the people who surrounded me and the truth is that they are not so different compared to Santiago del Chile\, I felt in a very familiar environment\, both for those who stayed with me around\, that for the landscape and also in everyday life. ”\nG: “And has the surrounding landscape stimulated you for the painting you have done this month?”\nE: “yes\, the natural landscape\, each person dresses in a certain color\, paints their home in a certain color and they too are part of the landscape: this has stimulated me a lot\, a lot from having changed the brush stroke of my style; I think there will be a before and after in my painting after this residence\, in particular as regards the colour. ”\nG: “So can you say that you have placed stones for the future?”\nE: “It is very nice what you say because I think exactly like that\, stone by stone. […] ” \n\nElías Santis\, born in 1980 in Buenos Aires (Argentina). He studied art at the National University Institute of Art in Argentina. He has exhibited in personal exhibitions such as\, among the most important\, “Terrícolas”\, Galería Animal (Santiago de Chile\, 2010)\, “Orbita Prima”\, Mite Gallery (Buenos Aires\, 2011)\, “Lune”\, RT & W Gallery (Berlin \, 2013). He has also participated in group exhibitions such as “Circular Project”\, Palais de Glace (Buenos Aires\, 2012) “Cosmos”\, Volkerkunde Museum (Hamburg\, 2012)\, “Medial Arts Biennial”\, National Museum of Fine Arts (Santiago de Chile 2017) and “Stanze”\, Italian Institute of Culture (Santiago de Chile\, 2018). In his work he explores the abstract and invisible nature of human beings and beings in general\, by means of paintings\, which employ colours\, figures\, symbolic stories and allegories. Shadow and light\, earth and sky. Everything contains a silent meaning. \n\n\nAlcuni schizzi realizzati dall’artista durante al sua residenza.
URL:https://areacreativa42.com/en/event/elias-santis/
LOCATION:Torino
CATEGORIES:Residenze d’artista
ATTACH;FMTTYPE=image/jpeg:https://areacreativa42.com/wp-content/uploads/2018/03/ReTO-15.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20170624
DTEND;VALUE=DATE:20170703
DTSTAMP:20261004T054324
CREATED:20180301T085320Z
LAST-MODIFIED:20200427T085302Z
UID:4862-1498262400-1499039999@areacreativa42.com
SUMMARY:Armando De La Garza
DESCRIPTION:The Mexican artist Armando De La Garza was in residence at Casa Toesca from June 27 to July 2\, 2017. \nOn the occasion of the residency\, in addition to the open atelier and the final exhibition of the works\, Biotà (24 June – 2 July 2017) in the exhibition space on the ground floor of Casa Toesca\, there was a lecture between art and philosophy with the Turin philosopher Guido Brivio. \nThe “Biotà” project encompasses and unites two themes: the vast naturalistic imagery of Italy and Mexico and an ethical and ecological discourse on waste materials that can be transformed from garbage to works of art. The Biotà collection brings together 19 bottles of different materials: glass\, plastic\, tin and metal and demonstrates the artist’s ability to reinvent any material\, giving the limits imposed by the particular shapes of the bottles. Armando is committed to painting classic landscapes in the smallest details on commonly used products\, appropriating the works of great representatives of the history of art and reinterpreting them in a less conventional and personal way. Among the bottles used as painting supports there are containers of well-known Mexican and Italian national brands\, such as Tequila\, Mezcal\, Crodino together with important Italian liqueurs. Famous bottles\, sometimes also very expensive\, which however end up in the bins\, or sometimes even abandoned on the side of the road\, once the drink they contain has been consumed. “Do we really want garbage to replace nature?” This is the question that Armando De La Garza asks himself\, and with his works he gives a clear ecological and original answer. \nG: “What did you expect from Areacreativa42 and from this Artist Residence?”\nA: “What did I expect? I must say it exceeded my expectations; the space\, what was around me\, that is\, the city and the house itself\, emanate the classic essence of Italian art\, while being immersed in the contemporary. […] There was talk of being lucky\, I think I was really lucky to have had the opportunity to do the residence in this specific place\, because … well\, Italy is Italy\, however\, also here it could happen in a very contemporary\, minimalist space .. cold: that maybe it would have worked the same for working\, but it wouldn’t have invaded me of the essence that this house has instead. ” \nExcerpt from Giulia Cordò’s interview with Armando De La Garza\, 24 June 2017 \n  \n  \n\n\n\n \n\n\n\n\n 
URL:https://areacreativa42.com/en/event/armando-de-la-garza/
LOCATION:Torino
CATEGORIES:Residenze d’artista
ATTACH;FMTTYPE=image/jpeg:https://areacreativa42.com/wp-content/uploads/2018/03/reinterpretar_el_panorama_1_2260_615x.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20170619
DTEND;VALUE=DATE:20170721
DTSTAMP:20261004T054324
CREATED:20180301T092230Z
LAST-MODIFIED:20200427T090221Z
UID:4866-1497830400-1500595199@areacreativa42.com
SUMMARY:Paul Harvey
DESCRIPTION:Paul Harvey tends to document what surrounds him and the things that happen to him. There is a strong autobiographical element in the work\, but with a universality that\, he says\, enhances what he does. Sometimes he calls his paintings “painted poems” because of their charm\, and he feels a psychological connection with the work of Karel Teige\, the Czech avant-garde. Harvey speaks of Teige’s collages as exquisite combinations of female figure\, landscape and architecture. Teige himself said that “all art is nothing more than a transposition of eroticism” and “there is no theme other than the omnipotence of love” and Harvey understands it. According to Harvey\, Teige’s collages have a strong and authentic surreal element\, but they give a feeling of reality\, like nature\, in fact. He sees all these things as important aspects of his work\, particularly in the way apparently unrelated elements come together but to make sense and make sense. It could be seen as a magical realism. Mountain landscapes have appeared in his work for many years\, mainly due to a trip made in Switzerland as when he was still a schoolboy in 1973. Consequently\, when in the summer of 2017 he worked as an artist in residence at Areacreativa42\, with the Alps at ‘horizon\, said it was like working in one of his paintings. It is the type of environment that is happy to explore and romanticize\, but not at the expense of truth. During the residency period\, the artist started and created a cycle of works on the theme of Italy. The artist Paul Harvey created a cycle of works on the theme of Italy. Starting from his memories of a holiday in Savona as a child in 1967 and of his visit to Turin in October 2016. In this case the artist related to the Italian tradition as a myth\, superimposed on the gaze of the child in a foreign country. He created a cycle of paintings\, acrylic on canvas\, which were exhibited at the end of the residence. At the same time\, we studied the history of Olivetti in depth with the artist in order to propose an exhibition on the occasion of Ivrea’s candidacy for UNESCO. \nThe residence ended with the exhibition An englishman abroad (19 June – 20 August 2017).
URL:https://areacreativa42.com/en/event/paul-harvey/
LOCATION:Torino
CATEGORIES:Residenze d’artista
ATTACH;FMTTYPE=image/jpeg:https://areacreativa42.com/wp-content/uploads/2018/03/An-Englishman-Abroad.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20170502
DTEND;VALUE=DATE:20170528
DTSTAMP:20261004T054324
CREATED:20180301T094434Z
LAST-MODIFIED:20200427T090515Z
UID:4869-1493683200-1495929599@areacreativa42.com
SUMMARY:Enrico Minguzzi
DESCRIPTION:The artist Enrico Minguzzi was in the artist residence at Casa Toesca from 2 to 27 May 2017.\nDuring his residency he worked on an installation project to be located in the Municipality of Valperga on the path to the Sacro Monte di Belmonte. In this project\, the intent was to bring the geometric elements into the reality of the place. \nDuring his residence\, Enrico Minguzzi worked on an installation project to be located in Valperga on the path to the Sacro Monte di Belmonte. In this project\, the intent was to bring the geometric elements into the reality of the place. The aim of the residence was for the artist to detach himself from painting at the specific moment in order to deal with the site specific installation of a work that the artist had long wanted to achieve. With Minguzzi\, we initially proceeded to the general setting of the project\, then to the inspections with the local Administration for the identification of the areas suitable for the site specific and following a first documentation of the areas available through the photographic medium. The artist has made drafts and following the bureaucratic process the work was inaugurated a year later in the presence of the artist and the regional and municipal institutions.After a series of inspections\, the area was identified (a stretch of green area located on the left side of the road towards the sacred Monte di Belmonte) and agreements were made with the Valperga Administration which collaborated on the project. The intended area was in a strong state of neglect and was cleaned and restored. In this way the biotechnical interventions consisting of some plants placed by the Park Authority years ago to activate naturalistic and cultural tourism that the administration intends to promote in its territory have been enhanced. A phase of understanding of the technical aspects followed: choice of materials\, technical construction\, transport and assembly\, authorizations from the relevant bodies. \nThe installation project was born as a development of the pictorial work of the artist who for about six years has been carrying out research totally dedicated to nature focused on the con guration and abstraction. Hence the need to insert elements extraneous to the subject was born\, depriving him of his intrinsic balance and trying to find a new and different one. The geometries that the artist inserts in the painting before and in the installation now consist of irregular polyhedral lines played between full and empty. The result is an image or a place that presents internal contamination and suggests questions about these “presences”\, but capable of having its own rediscovered stability. The goal is not to give an answer about “what it is” or what is represented\, rather simply to reveal something that in reality is there but is not visible. The result is a steel structure that forms irregular geometric lines that integrate with the surrounding place and vegetation. The structure is painted light magenta in order to accentuate its foreign nature. The installation consists of 4 blocks in their own right\, ie detached from the others and anchored to the ground independently. \nDuring is residence there were education workshops with adults and children. \n  \nINVISIBLE\, permanent site-specific installation by Enrico Minguzzi\, created thanks to the contribution of Areacreativa42 and the Municipality of Valperga (with the patronage of the Piedmont Region) was inaugurated on April 8\, 2018.
URL:https://areacreativa42.com/en/event/enrico-minguzzi/
LOCATION:Torino
CATEGORIES:Residenze d’artista
ATTACH;FMTTYPE=image/jpeg:https://areacreativa42.com/wp-content/uploads/2018/03/IMG_7482-2.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20160901
DTEND;VALUE=DATE:20170401
DTSTAMP:20261004T054324
CREATED:20200426T154449Z
LAST-MODIFIED:20200428T120021Z
UID:4712-1472688000-1491004799@areacreativa42.com
SUMMARY:Zuzana Pernicova
DESCRIPTION:Zuzana Pernicova was in the artist residence at Areacreativa42 twice: September – November 2016  and January – March 2017. \nThe most important moment of her residence was during the performance “The paper houses” (12 February 2017)\, organizsd during the residence in collaboration with the young curator Martina Furno. \nLINK TO THE CATALOG \n  \n  \nI knew the work of Zuzana Pernikova in the occasion of the third edition of the Carlo Bonatto Minella Prize – Art Prize CBM. The jury liked her work and she was selected among the finalists. At that time\, the artist was committed to deepening the themes of solitude and incommunicability. I immediately thought that the experience of the artist residence at Casa Toesca could have been supportive in Zuzana’s artistic career and we agreed on a program of “week-ends artist residence”. Zuzana has prepared an installation and a performance project with the curator Martina Furno and they developed “The paper houses” involving some members of Areacreativa42 and other artists. During her stay we organized meetings with schools\, children and adults\, and also drawing workshops. The activity\, partially documented in this notebook\, has had the consensus we expected: I am convinced that it was of great help to the artist and will remain a very significant experience for those who were able to live it with us. As in any artist residence in Casa Toesca\, the artist arrives with his own knowledge and experience\, immerses himself in the ancient atmosphere\, explores the territory and compares himself with young curators\, students and with us from Areacreativa42. And the journey into the world of art continues. \nKarin Reisovà \n  \n\n\n\n“Loneliness is never with you; it is always without you\, and only possible with a stranger around: place or person who is\, who completely ignores you\, so that your will and your feeling remain suspended and lost in a anguished uncertainty and\, ceasing all affirmation of you\, cease the very intimacy of your conscience. True loneliness is in a place that lives for itself and that has no trace or voice for you\, and where therefore the stranger is you “. \nZuzana Pernicova is an artist with a calm and curious character. For years\, she has been collecting stories of loneliness\, absences and misunderstandings in her diaries. She observes the reality with attentive and discreet eyes\, without presumption or judgment: between these pages real stories have been stratified\, in the form of sketches and collages\, where the graphic medium\, frank and uncontaminated by definition\, has revealed itself in all its expressive power\, capable of collecting – with tacit violence – fragments of life. The humanity that populates these stories is\, in fact\, introverted\, fearful\, lonely\, too often unable to communicate with the outside world. In quantum physics there is a scientific explanation for this discomfort: two entities cannot coexist simultaneously in the same space\, at the same time and in the same energy level. If this were the case\, even in the performance “The paper houses”\, each person would have had to exist in a different space\, at a different time and on an empathic level different from the others. But what science cannot bend\, and which Zuzana has chosen as the object of investigation\, is the sudden and fortuitous figure. \nThe participants\, of different ages\, were invited to enter into paper cylinders of different sizes\, which together wanted to recreate the idea of ​​a wooded environment: each person was thus entrusted with a “tree house”\, each existing in itself\, but part of a unitary whole. There is only one rule to respect: silence. Scissors and charcoal in hand\, everyone started to follow their instincts and perceptions by designing and carving their home at will. Initially\, everyone sought comfort in their own space: Bedouin tents\, castles\, submarines\, rooms covered with spaceships\, sea monsters and childhood games were born. The sound data\, emitted by the rubbing of the charcoal on the paper surface and by the rattling of the scissors\, has acquired increasing intensity\, up to the point of “breaking”: the unexpected. This is how enterprising people sought an opening: a window to breathe\, a tear to let the light in\, a porthole to deliver messages. Someone threw some paper balls carefully\, waiting for a reaction. Another\, with a daring and indiscreet move\, escaped from his own cylinder\, tearing it open with a liberating gesture\, and then insinuating himself into that of others\, without fear of being rejected. As in any society\, the disturbing element has received only partial acceptance\, but has had the time and the courage to set in motion a mechanism of “revolt”\, to generate chaos. And it was precisely in the disorder that something took shape: the relationships\, silently woven like underground roots\, created a visible map\, a tortuous and tangled track\, of which only fragments of paper remain and a feeling in the air that smells good. \n\n\n\n\n\n\nMartina Furno
URL:https://areacreativa42.com/en/event/zuzana-pernicova/
LOCATION:Torino
CATEGORIES:Residenze d’artista
ATTACH;FMTTYPE=image/jpeg:https://areacreativa42.com/wp-content/uploads/2020/04/IMG_0060.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20160701
DTEND;VALUE=DATE:20161101
DTSTAMP:20261004T054324
CREATED:20200426T212413Z
LAST-MODIFIED:20200428T120709Z
UID:4925-1467331200-1477958399@areacreativa42.com
SUMMARY:Giacomo Montanelli
DESCRIPTION:Giacomo Montanelli (1996 Florence) is a very young Tuscan artist known thanks to his selection as Under30 finalist of the III edition of Art Prize CBM Turin Prague London. His work\, a very small painting on paper\, was exhibited in Rivarolo and London at the Christine Park Gallery\, indicating the strong interest that the artist had aroused in the international jury of the Prize. \nThe project for the residence was prepared in the spring and\, given Giacomo’s young age\, he had to wait until his school diploma in July for the first phase of work. The experience of residency in this case started from the external environment\, from the territory of Rivarolo Canavese and in particular from the places “denied”\, “Inaccessible”\, “absent” because abandoned: the industrial buildings of the two large factories in Rivarolo (Salp and Vallesusa) and the bank of the Orco river.\nThe artist interpreted these places according to his sensitivity and poured it into an experience of painting\, painting on photography and installation. The place of the residence has become the container to tell the outside and later to tell himself. \nAfter completing the first part of the residence\, the artist was again hosted at Casa Toesca in October to prepare a personal exhibition documenting his first steps as a young artist in the art world. \n“Now”\, the first solo exhibition by Giacomo Montanelli\, was inaugurated on Saturday 8 October 2016 Areacreativa42. \nLINK TO THE CATALOG
URL:https://areacreativa42.com/en/event/giacomo-montanelli/
LOCATION:Torino
CATEGORIES:Residenze d’artista
ATTACH;FMTTYPE=image/jpeg:https://areacreativa42.com/wp-content/uploads/2014/03/biglietto-montanelli.jpg
END:VEVENT
BEGIN:VEVENT
DTSTART;VALUE=DATE:20141105
DTEND;VALUE=DATE:20150323
DTSTAMP:20261004T054324
CREATED:20200427T123911Z
LAST-MODIFIED:20200428T124138Z
UID:5019-1415145600-1427068799@areacreativa42.com
SUMMARY:Clementine Carsberg
DESCRIPTION:Marseilles artist Clementine Carsberg was in residence between November 2014 and March 2015. Her residence was marked by the meeting and the dialectical relationship with the photographer Carmen Cardillo: two languages\, cultural contexts and rules in dialogue. \nLINK TO THE CATALOG \nCarmen Cardillo’s photographic exhibition in Catania concludes the Secret de famille project\, artist’s residence at Clémentine Carsberg’s Casa Toesca. The Marseilles artist meditated on the issues of the passage of time and memory\, in search of the traces of those who inhabited the ancient estate\, and who currently inhabit it\, taking advantage of the space of the lemon house. In November 2014\, in the period in which Turin annually dedicates maximum visibility to contemporary art with Artissima\, Areacreativa42 had opened the rooms of Casa Toesca for a double appointment entirely for women. Clémentine had inaugurated the installation in the space of the “small house limonaia”\, while Carmen on the first floor had her personal photography exhibition. Her focus was on the work “Secret de famille” that after Areacreativa42 was exhibited at the Multipurpose Cultural Center of the Palazzo della Culture of Catania. Acute observer and lover of what she calls the “archaeological traces” herself\, Clémentine drew inspiration from a room on the second floor of Casa Toesca\, the “attic”\, for the realization of an installation in papier peint. The wallpaper\, a distinctive feature of its production\, is the material that best combines with the meditation conducted on the signs of time that run through the house\, an operation that is summarized in the title of the residence. Discrete tracks\, just suggested that are loaded with universal meanings\, without telling a too precise story. Clémentine offers us a new interpretation of space: papier peint\, a humble and everyday material\, has the potential to hide the visible and confuse the viewer. Carmen’s discreet and silent presence\, her observations and sensitivity were of fundamental importance and contributing to the development of the project. Her photographs are intended to restore that sense of initial discovery\, of revelation born in the encounter with the attic. I am excited about this project\, the artistic process that involved us\, coordinated by Martina Furno\, a young art historian. The artist’s residence in this case was a complete immersion in work\, without distractions and\, when Carmen arrived\, she also shared a total time of the project for her. The photographic exhibition and the catalog tell us of the suspended climate\, the fascinating discovery of an ancient place\, the tension of the creative moment and the amazement of decontextualization; the project has no boundaries and this is the true meaning of this profound and fascinating experience. \nKarin Reisovà \n  \nI was reading a thriller\, like during my first stay at Casa Toesca\, when I made a parallel and I smiled: looking for a “good” idea of ​​a work of art\, designed for a specific place\, comes close to solving a puzzle.\nThe enigma of the work suited to this place – as if you were to discover something existing for this particular place. A treasure hunt in collecting photographs\, stories and anecdotes of the place\, preferences\, obstacles\, amusements …\nThe Limonaia is not an easy space: exposed directly on the garden\, with the dark tiles that also cover the benches masonry and warm lighting from the lights on the ceiling. But every place is a place in its own way and I like to accept the challenge of creating something specifically designed for a space and its peculiarities. What surprises me every time is a contradictory feeling. When I offered myself\, as on this occasion\, a space\, a time and trust – a great freedom of action to achieve what I want – on the one hand a reassuring wind of motivation carries me and pushes me; on the other\, a paralysis presents itself in front of these infinite possibilities of realizable works\, which I should channel in my incubator to reveal what seems appropriate to the event\, at the moment\, to the space. Appropriate in and of itself.\nFind a comfortable position\, in balance between this void and this full … \nClementine Carsberg
URL:https://areacreativa42.com/en/event/clementine-carsberg/
LOCATION:Torino
CATEGORIES:Residenze d’artista
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